Season 7@50. An episode mostly devoted to searching for the wounded reptile, part 3 consolidates the story without adding a lot to it. This works well due to the sweep of the search that we’re shown. These were the days when Doctor Who appeared to look expensive and expansive hence a helicopter is deployed to fly around moorland and there are even shots from it looking down over a substantial number of searchers. The production marshals this so confidently with director Timothy Combe determined to show us the widest views and there is even a confident parping theme accompanying the search. Doctor Who has rarely seemed so solid and real as it does in these scenes.
Series 12 Episode 7 09/02/20. Episode reviewed by Sean Alexander.
“The cruelty of their own minds directed toward themselves.”
This second series of Chris Chibnall’s ‘reimagining’ of modern-day Doctor Who could be mistaken for Doctor Woke. Now, this isn’t going to be another tedious rant about how the show has become all PC and demographic-ticking in its current incarnation (various websites, blogs and social media platforms are available for that, if one desires) but it would be remiss of me to mention that Chibnall’s Doctor Who has become issue-led rather than plot-driven. ‘Can You Hear Me?’ isn’t even the show’s first occasion at looking at mental illness and offering a helpline ‘for those affected’ after the end credits (2010’s ‘Vincent and the Doctor’ got there first, albeit with a somewhat less preachy mandate) and as a first-time writer to the show (the latest in countless new scribes commissioned by the current showrunner) Charlene James does at least find a fresh angle to using sci-fi mental health in a tangible, albeit fantastical, way. And that is where the episode’s problems largely begin and end.
Season 7@ 50. The speed at which episode 1 played out hardly slows for the second part. This episode is a particular example of clear scripting that avoids too many scenes of people talking about what they will do instead cutting straight to us seeing them doing it. Any potential gaps are covered by lines of dialogue after the fact. For example there is no scene where people find out the Doctor has gone down to the caves, instead we cut straight to the plans to find him. I also like the fact that, as everyone is panicking and arranging rescues, the missing Doctor strolls in and asks if he can come too! Having recently watched `Spearhead from Space` episodically week by week it strikes me that so far the pace of `The Silurians` is much quicker, the script far tighter.
Season 7@50. Familiarity can dull the impact of creative material yet there are some things which remain absorbing even though we know their every secret for example a favourite film or album or place. Or a Doctor Who story like `The Silurians`. The behind the scenes situation suggests this 1970 classic could easily have been a bit of a mess. With Derrick Sherwin and Peter Bryant having left, Barry Letts unavailable for the location filming, a 7 episode storyline and a new Doctor still finding his way it was hardly a settled production though nothing of this makes the finished version. Instead a confident, bold narrative offers a fresh take on the traditional `aliens on earth` story and a compelling representation of the Doctor as a high profile agitator rather than the low key subversive the previous incarnation had tended to be. The first episode is masterfully assembled and played and a sign that during this era of the programme episode ones would almost always be top class.
Series 12 Episode 6 02/02/20
After a week in which Doctor Who seemed to excite social and journalistic media more than it has for many years it is likely that this episode - which doesn’t deal at all with the momentous developments last time - will disappoint. It will probably go on record as a filler episode between the bigger ones. It is disappointing as Pete McTighe’s `Kerblam` was one of the highlights of last series. In this co-write with showrunner Chris Chibnall he takes a similar tack with a more ambitious globe spanning tale using a contemporary concern as ballast for a story. However the scenario never clicks into place anywhere near as effectively as `Kerblam` though the episode does have an unintended similarity to current news headlines.
Spoilers past this point